Skip to main content

Janis Joplin & Tom Jones Bring the House Down in an Unlikely Duet of “Raise Your Hand” (1969)

If you’re a fan of Tom Jones and you don’t care who knows it, then no one needs to justify the jovial Welsh superstar’s lounge-soul covers of pop, R&B, and rock songs to you. Certain purists have been a tougher sell on Jones’ act, including, in 1969, Neil Young, who joined Jones onstage once, and only once, on the This is Tom Jones show and immediately regretted it. But who cares about Neil Young’s cranky dislike of commercial television? Who is Neil Young to say we can’t enjoy Jones’ bravado vocals on Crosby, Stills, Nash & sometimes Young’s “Long Time Gone”? The audience sure got a kick out of it, as apparently, did the rest of the band.

Janis Joplin didn’t have any such hangups when she went on Jones’ show that same year. Well, she had a hangup, but it wasn’t Jones. “God bless her,” Jones remembered, “she said to me when she came on, ‘Look, I don’t do variety shows; I’m only doing it because it’s you.’ So she saw through it. Then when Janis and I did the rehearsal for Raise Your Hand she looked at me and said, ‘Jesus, you can really sing! (laughs) I thought, thank God people like Janis Joplin had taken note.” If she outshines Jones in the televised performance of the song, above, and I think we can agree she does, he doesn’t seem to mind it much.

Jones may not have had much rock cred; he would never have been invited to share the Woodstock stage with CSNY and Joplin, but as a singer, he’s always earned tremendous respect from everyone, and rightly so.

“Tom held his own,” writes Society of Rock, “and kept up beautifully as he was swept up in the storm that was Janis Joplin’s stage presence, trading verbal licks and sending her into fits of joy when he let go and surrendered to her overwhelming energy. This wasn’t just your regular, run of the mill variety show but then again, nothing was ordinary after Janis was through with it.”

This includes any stage that had her on it, which she immediately dominated as soon as she opened her mouth. Hear her live version of “Raise Your Hand” at Woodstock from earlier that year, further up, and see her tear it up in Frankfurt on her European tour with the Kozmic Blues Band. “I make it a policy not to tell anyone to sit down,” she says by way of introduction. “That’s to encourage everybody to stand up.” Joplin’s death the following year deprived the world of one of its all-time greatest blues singers, but thanks to the internet, and Tom Jones, we’ll always have performances like these to remember her by.

Related Content:

Tom Jones Performs “Long Time Gone” with Crosby, Stills, Nash & Young–and Blows the Band & Audience Away (1969)

Watch Janis Joplin’s Final Interview Get Reborn as an Animated Cartoon

Janis Joplin’s Last TV Performance & Interview: The Dick Cavett Show (1970)

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Janis Joplin & Tom Jones Bring the House Down in an Unlikely Duet of “Raise Your Hand” (1969) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/323x0hV
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca