Skip to main content

Pink Floyd Streaming Free Classic Concert Films, Starting with 1994’s Pulse, the First Live Performance of Dark Side of the Moon in Full

If you’re feeling a little stressed today—maybe a lot stressed today, maybe severely-rationing-your-social-media stressed—it might do you some good to get comfortably numb. And unless the laws of your locality prevent it, you can reach a safe state of bliss at home with historic live concert films from Pink Floyd. “Following the lead of Radiohead and Metallica and launching a YouTube concert series,” notes Consequence of Sound, “the band will release unseen, rare, or archived material from their vault and stream it for free” over the next few weeks.

It may or may not be necessary to qualify that Pink Floyd these days consists of only two people, David Gilmour and drummer Nick Mason, keyboardist Richard Wright having passed away in 2008 and bassist/rock opera impresario Roger Waters having stormed off to make his own records in 1985, never to return. Perhaps only coincidentally, the first film the band has released is 1994’s Pulse, a 22-song set from the Division Bell tour, the second studio album made without Waters. But it’s got quite a lot to recommend it despite his absence.

“Filmed at London’s now-defunct Earls Court during the band’s record-breaking 14-night residency,” this show is notable particularly for “the inclusion of the first-ever film recording of Pink Floyd playing The Dark Side of the Moon in full.” The 1972 album’s sardonic ruminations on the banality of modern life in an economy that cannot stop its constant grind might strike us as particularly grim while we’re facing such huge collective losses of life and livelihood. But as always, the band knows how to make its medicine go down with some sweet eye and ear candy.

Mixed in 5.1 surround sound and digitally re-mastered by James Guthrie, Pulse also includes some of original screen films used for the 1970s concert performances of The Dark Side of the Moon (which were never filmed) as well as the visual components for the piece which were remade for the 1994 tour.

On their Facebook page, the band promises more “interesting and diverting images, music and video to help us all get through this”—as best as we can, in any case. And if you run out of Pink Floyd to help you get through a tough time of day, head over to see another band bringing blues-based psych-rock, American style, to the shut-in masses this spring. The Grateful Dead have their own weekly streaming series of full concert films. Of the first concert posted, they write, "Its excellence is indisputable and is something that we think pretty much everyone will enjoy in the absence of actually being able to see live concerts."

Take an hour or two to relax with some classic live shows from classic bands of yore, and maybe make a list of all the current bands you want to go out and support as soon as you get out of quarantine. Something tells me after all this livestreaming, there’ll be waves of renewed appreciation for live music. Goodness knows, musicians everywhere will need it.

Visit the Pink Floyd Youtube channel for more lives streams in the future.

Related Content:

Pink Floyd Films a Concert in an Empty Auditorium, Still Trying to Break Into the U.S. Charts (1970)

The Dark Side of the Moon Project: Watch the First of an 8-Part Video Essay on Pink Floyd’s Classic Album

An Hour-Long Collection of Live Footage Documents the Early Days of Pink Floyd (1967-1972)

Dead & Company Announces Couch Tour, Letting You Stream Free Concerts at Home

Radiohead Will Stream Concerts Free Online Until the Pandemic Comes to an End

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Pink Floyd Streaming Free Classic Concert Films, Starting with 1994’s Pulse, the First Live Performance of Dark Side of the Moon in Full is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2VnYDzh
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca