Skip to main content

Experience the Power of Live Metallica in Your Living Room: Watch Free Concerts Posted on YouTube Every Monday

So, you pull up to the Metallica show and double check to make sure you have everything you need. Cash? Check. Change of clothes for when you stumble back to the car exhausted and sweaty? Check. Earplugs? …. Where are the damn earplugs?

Oh man. You forgot the ear plugs.

Anyone got an extra pair of ear plugs? You’re boned. What to do? You’re gonna need your ears for the next few days for your summer camp gig. Those kids are loud enough without tinnitus.

You consider, for a split second, ditching your ticket and calling a cab. But c’mon. Screw your hearing, this is 1991, you’re in Muskegon, Michigan, and The Black Album just came out. You’re gonna miss the show? No way, man.

Ah, but it’s not 1991, you’re (probably) not in Muskegon, Michigan, and you’re staying home because there’s a deadly virus going around the world. The good news is you can still catch the show.

Watch it at the top, from the comfort of your cozy nest. More good news? You don’t need those earplugs anymore. Turn it way down low and let “Enter Sandman” lull you to sleep.

When you wake up, travel back to last June, to the lovely Slane Castle, to see Metallica play Meath, Ireland, just above. Dime the volume knob until your neighbors complain. Put on your headphones and blast it till your ears bleed and you pass out. There’s more where that came from.

“Metallica may be staying home due to the coronavirus but that doesn’t mean they aren’t here to rock your face off,” Billboard reported last month. “The band, who announced on Monday (March 23) that they have been forced to postpone a scheduled South American spring tour…. Just launched a new weekly concert series called Metallica Mondays.”

This announcement being several weeks ago, there are now several concerts posted on the band’s YouTube channel—six at this moment, including a 2009 gig in Copenhagen, Denmark, one of many places where Metallica’s loud, fast (till The Black Album), death-obsessed thrash metal traveled and transformed into even louder, faster, more death-obsessed metal subgenres.

Maybe you were at one of these shows? If so, relive the glory. If you’ve never seen the band live, know that this is but a pale imitation, as are all filmed concerts, whether you stream them on your smartphone or your 85” TV. But if you want to know what it was like for that kid in Muskegon who forgot his ear plugs, try that headphone trick. Then head over to Metallica’s YouTube channel on Monday for the next show.

Related Content:

Metallica’s “Enter Sandman” Sung in the Style of David Bowie

Metallica’s Bassist Robert Trujillo Plays Metallica Songs Flamenco-Style, Joined by Rodrigo y Gabriela

Pink Floyd Streaming Free Classic Concert Films, Starting with 1994’s Pulse, the First Live Performance of Dark Side of the Moon in Full

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

Experience the Power of Live Metallica in Your Living Room: Watch Free Concerts Posted on YouTube Every Monday is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2YgXFGU
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu...

Ishkur’s Guide to Electronic Music: An Interactive, Encyclopedic Data Visualization of 120 Years of Electronic Music

In a very short span of time, the descriptor “electronic music” has come to sound as overly broad as “classical.” But where what we (often incorrectly) call classical developed over hundreds of years, electronic music proliferated into hundreds of fractal forms in only decades. A far steeper quality curve may have to do with the ease of its creation, but it’s also a factor of this accelerated evolution. Music made by machines has transformed since its early 20th-century beginnings from obscure avant-garde experiments to massively popular genres of global dance and pop. This proliferation, notes Ishkur—designer of Ishkur’s Guide to Electronic Music —hasn't always been to the good. Take what he calls “trendwhoring,” a phenomenon that spawns dozens of new works and subgenera in short order, though it’s arguable whether many of them should exist. Ishkur, describes this process below in an excerpt from his erudite, sardonic “Frequently Unasked Questions”: If fart noises were sudde...

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their...