Skip to main content

How to Paint Water Lilies Like Monet in 14 Minutes

Some of us are using this period of self-isolation to make sourdough.

Others are learning to play an instrument or initiating a daily yoga practice.

For those considering taking up painting, David Dunlop's Emmy-Award winning PBS series Landscapes Through Time offers an excellent alternative (or supplement) to the well-established joys of cult figure Bob Ross, the eternal king of television art instruction.

Like Ross, Dunlop has a mellow onscreen temperament that pairs beautifully with the enchanting setting of Claude Monet’s famous water garden, above.

(Those who’ve visited Monet’s house and garden at Giverny will envy him his tourist-free access to the site. Even those with no intention of picking up a brush should find it restorative to spend time gazing at the same lovely view that Dunlop, like Monet before him, looks at through a deliberately Impressionistic squint.)

He packs a lot of art appreciation into 14 easily digested minutes, touching on art history, brush technique, composition, use of light, and, in particular, color theory.

When the museums reopen, you may find this crash course has enhanced your enjoyment, especially as pertains to canvases by Monet and his fellow Impressionists.

For those pursuing the hands-on oil painting experience, Dunlop provides a supply list of colors, all readily available:

Cobalt Blue

Cadmium Yellow

Alizarin Crimson

Ultramarine

Brilliant Rose

Emerald Green

Hooker’s Green

Titanium White

His brushes and paper appear to be garden variety, and his approach, like Ross’, is fast and loose.

Those who favor a less brazen approach may feel more at home with his watercolor painting demonstration in Cezanne’s Mont Sainte-Victoire in Provence, France, below.

There are more excerpts and instruction on Dunlop’s YouTube channel. For those wishing to take it to the next level, Dunlop is teaching a series of interactive studio demonstration classes via Zoom. Register here.

Related Content: 

Rare 1915 Film Shows Claude Monet at Work in His Famous Garden at Giverny

Watch Every Episode of Bob Ross’ The Joy Of Painting Free Online: 403 Episodes Spanning 31 Seasons

Bob Ross’ Christmas Special: Celebrate, Relax, Nod Off

Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine.  Her art in isolation has taken the form of a hastily assembled tribute to the classic 60s social line dance, The Madison. Follow her @AyunHalliday.

How to Paint Water Lilies Like Monet in 14 Minutes is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/3ah5aQ8
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca