Skip to main content

Neurosymphony: A High-Resolution Look into the Brain, Set to the Music of Brain Waves

We can't talk about how music moves us without talking about what, exactly, music does to our brains. The musicophile neurologist Oliver Sacks made the relationship between music and the brain one of the themes of his career, and were he alive today, he would surely enjoy Neurosymphony, a new audiovisual experience of the brain now up at Aeon. It takes the highest-resolution MRI scan of the human brain in existence, featured earlier this year here at Open Culture, and mashes it up with music suitable for a journey through the cross-sections of our most impressive organ — suitable not just aesthetically, but also in the sense that it, too, was made from the stuff of the brain.

Originally scanned by the Laboratory for NeuroImaging of Coma and Consciousness (NICC) at Massachusetts General Hospital in Boston, this brain imagery is soundtracked in Neurosymphony by "an excerpt from the album Chapel by the US electronic musician and music-cognition researcher Grace Leslie, in which she converts her brainwaves into music." On her web site, Leslie describes herself as "committed to harnessing the expression granted by new music interfaces to better understand the link between music and emotion, with an ultimate goal of employing musical brain-computer interfaces to promote wellness."

A few years ago, Leslie revealed her process of converting brain waves to musical sounds to BBC Future. "Using equipment that monitors the electrical activity of her brain, changes in her heart rate and subtle shifts in the conductance of her skin, she is creating music from the signals produced by her own body while on stage," writes Richard Gray. "Leslie plays these signals through an electronic synthesizer to produce ambient sounds that reflect what is going on in her body. She can also filter the sounds from musical instruments, like a flute, with the signals from her body to mix them together in a computer." You can watch Leslie's 2017 performance of another such piece, Audible, in the video below.

While Leslie's methods produce music quite unlike what most of us are used to, her goals go beyond the performative. "Ultimately, Leslie believes this innovative form of musical expression could be used to help those who have difficulty interacting with the world, such as those with autism," writes Gray. In this way she has something in common, beyond pure interest in the brain, with the team at the NICC, who produced their groundbreaking scans as a part of their mission to further the understanding of recovery from traumatic brain injury. All worthy pursuits, of course, but it certainly doesn't hurt that their by-products include works like Neurosymphony that motivate us all to learn a bit more about the nature of our own brains.

Related Content:

View/Download the Highest Resolution MRI Scan of a Human Brain, Revealing It as We’ve Never Seen It Before

Music in the Brain: Scientists Finally Reveal the Parts of Our Brain That Are Dedicated to Music

The Neuroscience of Bass: New Study Explains Why Bass Instruments Are Fundamental to Music

The Neuroscience of Drumming: Researchers Discover the Secrets of Drumming & The Human Brain

The Science of Singing: New, High-Speed MRI Machine Images Man Singing ‘If I Only Had a Brain’

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

Neurosymphony: A High-Resolution Look into the Brain, Set to the Music of Brain Waves is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/35rUs7K
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca