Arts and Culture

Image by via Wikimedia Commons Back in college, I spotted A People’s History of the United States   in the bags and on the bookshelves of many a fellow undergraduate. By that time, Howard Zinn’s alternative telling of the American story had been popular reading material for a couple of decades, just as it presumably remains a couple more decades on. Even now, a dozen years after Zinn’s death, his ideas about how to approach U.S. history through non-standard points of view remain widely influential. Just last month, Radical Reads featured the reading list he originally drew up for the  Socialist Worker , pitched at “activists interested in making their own history.” Zinn’s recommendations naturally include the work of other historians, from Gary Nash’s Red, White and Black: The Peoples of Early America (“a pioneering work of ‘multiculturalism’ dealing with racial interactions in the colonial period”) to Vincent Harding’s There Is a River: The Black Struggle for Freedom in America

Does your cat fancy herself a 21st-century incarnation of Bastet , the Egyptian Goddess of the Rising Sun, protector of the household, aka The Lady of Slaughter ? If so, you should definitely permit her to download the Google Arts & Culture app  on your phone to take a selfie using the Pet Portraits feature. Remember all the fun you had back in 2018 when the Art Selfie  feature mistook you for William II, Prince of Orange or the woman in “ Jacob Cornelisz. van Oostsanen Painting a Portrait of His Wife” ? Surely your pet will be just as excited to let a machine-learning algorithm trawl tens of thousands of artworks from Google Arts & Culture’s partnering museums ’ collections, looking for doppelgängers. Or maybe it’ll just view it as one more example of human folly, if a far lesser evil than our predilection for pet costumes . Should your pet wish to know more about the artworks it resembles, you can tap the results to explore them in depth. Dogs, fish, birds, reptile

Last night, we sadly learned of the passing of Ivan Reitman , director of many beloved comedies– Meatballs (1979), Stripes (1981), Ghostbusters (1984), and beyond. Born in Czechoslovakia in 1946–his mother an Auschwitz survivor and his father an underground resistance fighter–Reitman moved to Canada as a young child, where he eventually attended McMaster University. And there he “produced and directed Orientation [in 1968], the most successful student film ever made in Canada,” writes Macleans . “Produced at a cost of $1,800 while Reitman was president of the McMaster University Film Board, Orientation — the story of a freshman during his first week at university — was acquired by Twentieth CenturyFox of Canada as a “featurette” to accompany John And Mary in first-run engagements across the country.” “It earned $15,000 in rentals and continues to be in demand…” You can watch it above, or on McMaster’s website . For anyone interested in hearing Reitman discuss his develo

This year will see the long-delayed publication of a version of Ulysses that Joyce didn’t want you to read — not James Joyce, mind you, but the author’s grandson Stephen Joyce. Up until his death in 2020, Stephen Joyce opposed the publication of his grandfather’s best-known book in an illustrated edition. But he only retained the power actually to prevent it until Ulysses ‘ 2012 entry into the public domain, which made the work freely usable to everyone who wanted to. In this case, “everyone” includes such notables as neo-figurative artist Eduardo Arroyo , described by the New York Times ‘ Raphael Minder as “as one of the greatest Spanish painters of his generation.” At the time of Ulysses ‘ copyright expiration, Arroyo had long since finished his own set of more than 300 illustrations for Joyce’s celebrated and famously intimidating novel. Arroyo noted in a 1991 essay, writes Minder, that “imagining the illustrations kept him alive when he was hospitalized in the late 1980s for

The Riot Grrrl movement feels like one of the last real revolutions in rock and punk, and not just because of its feminist, anti-capitalist politics. As Polyphonic outlines in his short music history video, Riot Grrrl was one of the last times anything major happened in rock music before the internet. And it’s especially thrilling because it all started with *zines*. Women in the punk scene had a right to complain. Bands and their fans were very male, and sexual harassment was chronic at shows, leaving most women standing at the back of the crowd. Some zines even spelled it out: “Punks Are Not Girls,” says one. Alienated from the scene but still fans at heart, Tobi Vail and Kathleen Hanna, already producing their own feminist zines, joined forces to release “Bikini Kill” a gathering of lyrics, essays, confessionals, appropriated quotes, plugs for Vail’s other zine “ Jigsaw “, and a sense that something was happening. Something was changing in rock culture. Kim Deal of the

FYI: The Great Courses (formerly The Teaching Company) is running its Spring Warehouse Clearance Sale , offering a steep discount on a good number of its courses. If you’re not familiar with it, the Great Courses provides a very nice service. They travel across the U.S., recording great professors lecturing on great topics that will appeal to any lifelong learner. They then make the courses available to customers in different formats (DVD, Video & Audio Downloads, etc.). The courses are very polished and complete, and they can be quite reasonably priced, especially when they’re on sale , as they are today. Click here  to explore the offer. The Spring Warehouse Clearance Sale ends on March 10. Note : The Great Courses is a partner with Open Culture. So if you purchase a course, it benefits not just you and Great Courses. It benefits Open Culture too. So consider it win-win-win. from Open Culture https://ift.tt/5irmFSs via Ilumina

The life of Russian-born poet, novelist, critic, and first female psychologist Lou Andreas-Salomé has provided fodder for both salacious speculation and intellectual drama in film and on the page for the amount of romantic attention she attracted from European intellectuals like philosopher Paul Rée , poet Ranier Maria Rilke , and Friedrich Nietzsche . Emotionally intense Nietzsche became infatuated with Salomé, proposed marriage, and, when she declined, broke off their relationship in abrupt Nietzschean fashion. For her part, Salomé so valued these friendships she made a proposal of her own: that she, Nietzsche and Rée, writes D.A. Barry at 3:AM Magazine , “live together in a celibate household where they might discuss philosophy, literature and art.” The idea scandalized Nietzsche’s sister and his social circle and may have contributed to the “passionate criticism” Salomé’s 1894 biographical study, Friedrich Nietzsche: The Man and His Works , received. The “much maligned” work des

When we think of a “midcentury modern” home, we think of glass walls. In part, this has to do with the post-World War II decades’ promotion of the southern California-style indoor-outdoor suburban lifestyle. But business and culture are downstream of technology, and, in this specific case, the technology known as insulated glass. Its development solved the problem of glass windows that had dogged architecture since at least the second century: they let in light, but even more so cold and heat. Only in the 1930s did a refrigeration engineer figure out how to make windows with not one but two panes of glass and an insulating layer of air between them. Its trade name: Thermopane. First manufactured by the Libbey-Owens-Ford glass company, “Thermopane changed the possibilities for architects,” says Vox’s Phil Edwards in the video above, “How Insulated Glass Changed Architecture.” In it he speaks with architectural historian Thomas Leslie, who says that “by the 1960s, if you’re pu