Skip to main content

How to Improve Your Memory: Four TED Talks Explain the Techniques to Remember Anything

Offered the ability to remember everything, who among us could turn it down? For that matter, who among us could turn down even a slight increase in our memory capacity? If we're older, we complain of forgetfulness. If we're younger, we complain that so little of what we're supposed to learn for tests sticks. If we're in the middle, we complain of being "bad with names" and having trouble properly organizing all the tasks we need to complete. Whatever our stage in life, we could all use the kind of memory-improving techniques explained in these four TED Talks, the most popular of which offers Swedish "memory athlete" Idriz Zogaj's method of "How to Become a Memory Master."

Framing his talk with the story of how he trained himself to compete in the World Memory Championships (yes, they exist), Zogaj recommends remembering by making "a fun, vivid, animated story," using all your senses." "And do it in 3D, even though you don’t have the 3D goggles. Your brain is amazing; it can do it anyway." Telling yourself a story in such a way that connects seemingly unrelated images, words, numbers, or other pieces of information gives those connections strength in our brains.

In "How to Triple Your Memory by Using This Trick," Ricardo Lieuw On recommends a similarly story-based method, but emphasizes the importance of constructing it with "bizarre images." And "if you tie these bizarre images to a place you know well, like your body, suddenly memorizing things in order becomes a lot easier."

In his TED Talk about daily practices to improve memory, Krishan Chahal divides "the art of memorizing" into two parts. The first entails "designing the information or modifying the information in such a way so that it can catch your attention," making what you want to memorize more naturally palatable to "the taste of human mind" — stories and strong visual images being perhaps the human mind's tastiest treat. The second involves creating what he calls a "self-meaning system," the best-known variety of which is the memory palace. The Memory Techniques Wiki describes a memory palace as "an imaginary location in your mind where you can store mnemonic images," typically modeled on "a place you know well, like a building or town." When memorizing, you store pieces information in different "locations" within your memory palace; when recalling, you take that same mental journey through your palace and find everything where you left it.

The memory palace came up here on Open Culture earlier this year when we featured a video about how to memorize an entire chapter of Moby-Dick. Its creator drew on Joshua Foer's book Moonwalking With Einstein: The Art and Science of Remembering Everything, and if you want a taste of what Foer has learned about memory, watch his TED Talk above. Foer, too, has spent time at the World Memory Championships, and his questions about how memory athletes do what they do led him to the concept psychologists call "elaborative encoding," the practice of taking information "lacking in context, in significance, in meaning" and transforming it "so that it becomes meaningful in the light of all the other things that you have in your mind."

Elaborative encoding underlies the effectiveness of memorizing even the driest lists of facts in the form of stories full of striking and unusual sights. (Foer himself opens with a memory-aiding story starring "a pack of overweight nudists on bicycles.") No wonder so many of the greatest storytellers have had a thematic preoccupation with memory. Take Jorge Luis Borges, author of "Shakespeare's Memory" (previously featured here on Open Culture) and the even more (dare I say) memorable "Funes the Memorious." In the latter a horse-riding accident robs a rural teenager of the ability to forget, bestowing upon him an effectively infinite memory — a power that has him taking an entire day to remember an entire day and assigning a different name ("the train," "Máximo Perez," "the whale," "Napoleon") to each and every number in existence. As much as we all want to remember more things, surely none of us wants to remember everything.

Related Comment:

How to Memorize an Entire Chapter from “Moby Dick”: The Art and Science of Remembering Everything

How to Focus: Five Talks Reveal the Secrets of Concentration

What Are the Most Effective Strategies for Learning a Foreign Language?: Six TED Talks Provide the Answers

This Is Your Brain on Exercise: Why Physical Exercise (Not Mental Games) Might Be the Best Way to Keep Your Mind Sharp

Play Mark Twain’s “Memory-Builder,” His Game for Remembering Historical Facts & Dates

Hear “Shakespeare’s Memory” by Jorge Luis Borges

Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. He’s at work on a book about Los Angeles, A Los Angeles Primer, the video series The City in Cinemaand the crowdfunded journalism project Where Is the City of the Future? Follow him on Twitter at @colinmarshall or on Facebook.

How to Improve Your Memory: Four TED Talks Explain the Techniques to Remember Anything is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://ift.tt/2qwajmG
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca