Skip to main content

Why You Should Read Crime and Punishment: An Animated Introduction to Dostoevsky’s Moral Thriller

A desperately poor law student kills a pawnbroker. There we have the story, maximally distilled, of Fyodor Dostoevsky's Crime and PunishmentOr at least we have the central event, to which everything in Dostoevsky's best-known novel leads and from which everything else follows. But as with so many 19th-century Russian novels, there's much more to it than that; some Dostoevsky enthusiasts see the book as not just the story of a murder's meditation and aftermath but an incisive portrayal of the eternal moral condition of humanity. But since such grand-sounding claims no doubt put off as many readers as they bring in, we'd do better to ask a simpler question: Why should you read Crime and Punishment?

The animated TED-Ed lesson by Alex Gendler above answers that question in four and a half animated minutes. "Though the novel is sometimes cited as one of the first psychological thrillers," Gendler says, its scope reaches far beyond the inner turmoil of the student-turned-killer Raskolnikov. "From dank taverns to dilapidated apartments and claustrophobic police stations, the underbelly of 19th-century Saint Petersburg is brought to life by Dostoyevsky’s searing prose."



With its large cast of fully realized and often not-quite-savory inhabitants, this "bleak portrait of Russian society reflects the author’s own complex life experiences and evolving ideas" — experiences that included four years in a Siberian labor camp as punishment for his participation in intellectual discussions of banned socialist texts.

You might assume that such a background would produce a bitter writer concerned only with revenge against the state, but Dostoevsky's social critique, Gendler says, "cuts far deeper. Raskolnikov rationalizes that his own advancement at the cost of the exploitative pawnbroker’s death would be a net benefit to society," which "echoes the doctrines of egoism and utilitarianism embraced by many of Dostoyevsky’s contemporary intellectuals." And all of us, not just intellectuals and political leaders, have the potential to cut ourselves off from our own humanity as Raskolnikov does. Some of us face punishment for the crimes we commit, but many of us don't — or not official, externally applied punishment, in any case, but "Dostoyevsky’s gripping account of social and psychological turmoil" still shows us how the harshest punishment comes from within.

Related Content:

The Digital Dostoevsky: Download Free eBooks & Audio Books of the Russian Novelist’s Major Works

Dostoevsky Draws Doodles of Raskolnikov and Other Characters in the Manuscript of Crime and Punishment

Fyodor Dostoyevsky’s Life & Literature Introduced in a Monty Python-Style Animation

The Animated Dostoevsky: Two Finely Crafted Short Films Bring the Russian Novelist’s Work to Life

Batman Stars in an Unusual Cartoon Adaptation of Dostoyevsky’s Crime and Punishment

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

Why You Should Read Crime and Punishment: An Animated Introduction to Dostoevsky’s Moral Thriller is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture http://bit.ly/2X7VJgo
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...