Skip to main content

The First Museum Dedicated to Japanese Folklore Monsters Is Now Open

As any enthusiast of Godzilla movies knows, nobody does monsters quite like the Japanese. The cultural tradition of giant creatures laying waste to cities is known as kaij?a combination of kai (?), "strange," and j? (?), "beast." The well of kaij? goes deep, but the well of Japanese monsterhood itself goes much deeper. Take y?kai, the category of monsters, spirits, and demons whose history goes all the way back to the first century. But it wasn't until the medieval era that depictions of y?kai —whose name combines the characters y? (?), with its connotations of attraction, bewitchment, and calamity, and kai (?), which can indicate something suspicious, a mystery, or an apparition — turned into popular entertainment.

Most y?kai possess supernatural powers, sometimes used for good but often not so much. Some look human, while others, such as the turtle-like kappa and the intelligent if dissolute raccoons called tanuki (stars of Studio Ghibli animator Isao Takahata's Pom Poko), resemble animals. But the wide world of y?kai also includes shapeshifters as well as only seemingly inanimate objects. You can familiarize yourself with all of them — from the gong-banging bake ich? no sei who hang around under gingko trees to the cloth dragon shiro uneri born of a dishrag to the "temple-pecker" teratsutsuki who lives among Buddhist priests and on a diet of rage — at the English-language database Yokai.com.



Demand for y?kai stories increased during the early 17th to the mid-18th century Edo period, which saw the introduction of the printing press to Japan. One popular tale of that era, Ino Mononoke Roku, tells of a young boy who must undergo 30 days of confrontations with various y?kai in the city of Miyoshi. It's no coincidence that the very first museum dedicated to y?kai has just opened in that same place. "The Miyoshi Mononoke Museum, or formally the Yumoto Koichi Memorial Japan Yokai Museum, opened in the city of Miyoshi after Koichi Yumoto, a 68-year-old ethnologist and yokai researcher in Tokyo, donated some 5,000 items from his collection in 2016," says the Japan Times. "The museum displays about 160 items from Yumoto’s collection, which includes a scroll painting of the famous folktale and crafts."

Located in Hiroshima Prefecture (also home to the Onomichi Museum of Art and its famous cats Ken-chan and Go-chan), the Miyoshi Mononoke Museum features "about 160 items from Yumoto’s collection, which includes a scroll painting of the famous folktale and crafts," an "interactive digital picture book of y?kai" as well as opportunities to "take photos with the monsters using a special camera set up at the site." You'll find a suitably odd animated promotional video for the museum, which turns into a y?kai dance party, at the top of the post. Whether or not you believe that these attractive, bewitching, calamitous, suspicious, mysterious apparitions really inhabit the world today, you have to acknowledge their knack for inhabiting every form of media that has arisen over the centuries.

Related Content:

Bambi Meets Godzilla: #38 on the List of The 50 Greatest Cartoons of All Time

Marilyn Monroe & Elvis Presley Star in an Action-Packed Pop Art Japanese Monster Movie

Discover the Japanese Museum Dedicated to Collecting Rocks That Look Like Human Faces

Two Cats Keep Trying to Get Into a Japanese Art Museum … and Keep Getting Turned Away: Meet the Thwarted Felines, Ken-chan and Go-chan

Watch “The Midnight Parasites,” a Surreal Japanese Animation Set in the World of Hieronymus Bosch’s The Garden of Earthly Delights (1972)

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

The First Museum Dedicated to Japanese Folklore Monsters Is Now Open is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture http://bit.ly/2HNfbtp
via Ilumina

Comments

Popular posts from this blog

When Albert Einstein & Charlie Chaplin Met and Became Fast Famous Friends (1930)

Photo via Wikimedia Commons “You do not really understand something unless you can explain it to your grandmother,” goes a well-known quote attributed variously to Albert Einstein, Richard Feynman, and Ernest Rutherford. No matter who said it, “the sentiment… rings true,” writes Michelle Lavery , “for researchers in all disciplines from particle physics to ecopsychology.” As Feynman discovered during his many years of teaching , it could be “the motto of all professional communicators,” The Guardian ’s Russell Grossman writes , “and especially those who earn a living communicating the tricky business of science.” Einstein became one of the world’s great science communicators by choice, not necessity, and found ways to explain his complex theories to children and the elderly alike. But perhaps, if he’d had his way, he would rather have avoided words altogether, and preferred acrobatic feats of silent daring to get his message across. We might at least conclude so from his reverence f...

1,100 Delicate Drawings of Root Systems Reveals the Hidden World of Plants

We know that plants can inspire art. If you, personally, still require convincing on that point, just have a look at Elizabeth Twining’s Illustrations of the Natural Orders of Plants , the drawings of Ernst Heinrich Haeckel , Elizabeth Blackwell’s  A Curious Herbal , and Nancy Anne Kingsbury Wollstonecraft’s Specimens of the Plants and Fruits of the Island of Cuba — not to mention the paintings of Georgia O’ Keeffe — all previously featured here on Open Culture. But those works concern themselves only with plant life as it exists above ground. What goes on down below, underneath the soil? That you can see for yourself — and without having to pull up one of our fine flowering (or non-flowering) friends to do so — at Wageningen University’s online archive of root system drawings . “The outcome of 40 years of  root system excavations in Europe,” says that site, the collection contains 1,180 diagrams of species from  Abies alba (best known today as a kind of Christmas t...

Zamrock: An Introduction to Zambia’s 1970s Rich & Psychedelic Rock Scene

The story of popular music in the late 20th century is never complete without an account of the explosive psychedelic rock, funk, Afrobeat, and other hybrid styles that proliferated on the African continent and across Latin American and the Caribbean in the 1960s and 70s. It’s only lately, however, that large audiences are discovering how much pioneering music came out of Kenya, Ghana, Nigeria, and other postcolonial countries, thanks to UK labels like Strut and Soundway (named by The Guardian as “one of the 10 British Labels defining the sound of 2014” and named “Label of the Year” in 2017). Germany’s Analogue Africa , a label that reissues classic albums from the era, puts it this way: “the future of music happened decades ago.” Only most Western audiences weren’t paying attention—with notable exceptions, of course: superstar drummer Ginger Baker apprenticed himself to Fela Kuti and became an evangelist for African drumming; Brian Eno and Talking Heads’ David Byrne ( who ...