Skip to main content

The Creative Life of Jim Henson Explored in a Six-Part Documentary Series

What is a Muppet? Homer Simpson once offered this explanation: "It's not quite a mop and it's not quite a puppet, but man..." — before cracking up with amusement. "So to answer your question, I don't know." That episode of The Simpsons aired in the mid-1990s, a somewhat fallow period for Jim Henson's puppet-like (though less so mop-like) creations, but the decades between now and then have shown them to be at least as culturally influential as Matt Groening's family of Springfieldians. What gives the Muppets, who made their television debut in 1955 and have now survived their creator by nearly thirty years, their power to endure?

Insight into that question is on offer right now in a new six-part documentary series on Jim Henson's life and work. It comes as a part of Defunctland, "a YouTube series discussing the history of extinct theme parks and themed entertainment experiences" that has recently expanded its cultural purview.



The first episode of Defunctland's Jim Henson explores "the history of Jim's beginnings and his first television show, Sam and Friends"; the second "the origins of Sesame Street, the Muppetland specials, and the failed Muppet pilots"; and the third the proper beginnings of The Muppet Show, whose creators didn't know they were "about to make the most popular show in the world." After you've caught up with the first three episodes of Jim Henson, the next three episodes will appear on the series' Youtube playlist.

As you'll know if you've seen the surreal early filmsexperimental animations, and violent coffee commercials made by Jim Henson previously featured here on Open Culture, the man behind the Muppets hardly sought to produce entertainment for children alone: one of the pilots of The Muppet Show, in fact, was titled "Sex and Violence." Defunctland's documentary series gets into that and all the other aspects of Henson's life and work, two concepts hardly separable for such a famously dedicated creator. There's much more to Henson's legacy than a childhood full of Sesame Street — now in its 50th year on the air — would suggest. As for how rigorous a definition of "Muppet" the series will leave us with, we'll have to wait until it concludes to find out.

Related Content:

Jim Henson Creates an Experimental Animation Explaining How We Get Ideas (1966)

Jim Henson’s Violent Wilkins Coffee Commercials (1957-1961)

A Young Jim Henson Teaches You How to Make Puppets with Socks, Tennis Balls & Other Household Goods (1969)

Watch Twin Beaks, Sesame Street’s Parody of David Lynch’s Iconic TV Show (1990)

Watch The Surreal 1960s Films and Commercials of Jim Henson

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall, on Facebook, or on Instagram.

The Creative Life of Jim Henson Explored in a Six-Part Documentary Series is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture http://bit.ly/2VYEGRv
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca