Skip to main content

Discovered: Lost Johnny Cash Concert Recorded by the Grateful Dead’s LSD Chemist Owsley Stanley (1968)

On January 13, 1968, Johnny Cash recorded his famous live concerts within the walls of Folsom State Prison, California, a week into what would be one of his busiest years of touring. While Columbia Records worked on trimming down the two sets into one LP, Cash set off across the States, into Canada and back, playing almost every night, and returning to the West Coast for a final stop at the Carousel Ballroom in San Francisco.

Recording the gig that night was Owsley “Bear” Stanley, the Grateful Dead’s engineer and also the man responsible for creating the purest LSD on the West Coast. As Rolling Stone once asked, would there have been a Summer of Love if not for Stanley? Apparently, Stanley had *another* secret stash, and we are only now hearing a tiny fraction of it. This gig is one of over 1,300 the engineer recorded and kept in his private collection. Stanley died in 2011, and ten years later the Oswald Stanley Foundation is selectively releasing recordings from this treasure trove as a way to preserve the recordings and fund more releases. This Cash set was one of the first releases in the “Bear’s Sonic Journals” series, released in October of 2021.


Cash’s new bride June Carter Cash joined him onstage. It was on the Ontario stop of the aforementioned tour that Cash proposed to her live on stage, and they were married March 1 in Kentucky. You can hear his pride as he introduces her to the audience; the two immediately launch into “Jackson.” “We got married in a fever,” indeed. (The two remained married until her death in 2003.) June sings several numbers, including “Wabash Cannonball,” and Carl Perkins’ “Long Legged Guitar Pickin’ Man.”

The other artist figuring prominently in these recordings (as an influence) is Bob Dylan. The two had been circling each other in admiration for years, and here Cash covers “One Too Many Mornings” and then “Don’t Think Twice, It’s Alright.” The man owns it, turns it into what sounds like a Tennessee Three original. Dylan and Cash would finally record together in 1969, in sessions that would be bootlegged until a recent official release.

Stanley recorded these sets for himself, coming straight out of the soundboard. Where the Carousel Ballroom concert lacks in quality—-vocals, audience, and Cash’s guitar are on the left, the band to the right—-they make up for in history and excitement.

Currently, the label has released full concerts from Tim Buckley, Ali Akbar Khan, with Indranil Bhattacharya and Zakir Hussain, Commander Cody & His Lost Planet Airmen, New Riders of The Purple Sage, Jorma Kaukonen & Jack Casady, The Allman Brothers Band, and Doc and Merle Watson. As Stanley recorded for two decades of his career, the catalog promises untold delights.

The full playlist from the Carousel Ballroom gig is below:

via BoingBoing

Related Content:

Grateful Dead Fan Creates a Faithful Mini Replica of the Band’s Famous “Wall of Sound” During Lockdown

Two Prison Concerts That Defined an Outlaw Singer: Johnny Cash at San Quentin and Folsom (1968-69)

Take a Trip to the LSD Museum, the Largest Collection of “Blotter Art” in the World

Johnny Cash’s Short and Personal To-Do List

Ted Mills is a freelance writer on the arts who currently hosts the Notes from the Shed podcast and is the producer of KCRW’s Curious Coast. You can also follow him on Twitter at @tedmills, and/or watch his films here.

Discovered: Lost Johnny Cash Concert Recorded by the Grateful Dead’s LSD Chemist Owsley Stanley (1968) is a post from: Open Culture. Follow us on Facebook and Twitter, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.



from Open Culture https://www.openculture.com/2022/01/discovered-lost-johnny-cash-concert-recorded-by-the-grateful-deads-lsd-chemist-owsley-stanley-1968.html
via Ilumina

Comments

Popular posts from this blog

Board Game Ideology — Pretty Much Pop: A Culture Podcast #108

https://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/secure/partiallyexaminedlife/PMP_108_10-7-21.mp3 As board games are becoming increasingly popular with adults, we ask: What’s the relationship between a board game’s mechanics and its narrative? Does the “message” of a board game matter? Your host Mark Linsenmayer is joined by game designer Tommy Maranges , educator Michelle Parrinello-Cason , and ex-philosopher Al Baker to talk about re-skinning games, designing player experiences, play styles, game complexity, and more. Some of the games we mention include Puerto Rico, Monopoly, Settlers of Catan, Sorry, Munchkin, Sushi Go, Welcome To…, Codenames, Pandemic, Occam Horror, Terra Mystica, chess, Ticket to Ride, Splendor, Photosynthesis, Spirit Island, Escape from the Dark Castle, and Wingspan. Some articles that fed our discussion included: “ The Board Games That Ask You to Reenact Colonialism ” by Luke Winkie “ Board Games Are Getting Really, Really Popular ” by Darron Cu

How Led Zeppelin Stole Their Way to Fame and Fortune

When Bob Dylan released his 2001 album  Love and Theft , he lifted the title from a  book of the same name by Eric Lott , who studied 19th century American popular music’s musical thefts and contemptuous impersonations. The ambivalence in the title was there, too: musicians of all colors routinely and lovingly stole from each other while developing the jazz and blues traditions that grew into rock and roll. When British invasion bands introduced their version of the blues, it only seemed natural that they would continue the tradition, picking up riffs, licks, and lyrics where they found them, and getting a little slippery about the origins of songs. This was, after all, the music’s history. In truth, most UK blues rockers who picked up other people’s songs changed them completely or credited their authors when it came time to make records. This may not have been tradition but it was ethical business practice. Fans of Led Zeppelin, on the other hand, now listen to their music wi

Moral Philosophy on TV? Pretty Much Pop #32 Judges The Good Place

http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_032_2-3-20.mp3 Mark Linsenmayer, Erica Spyres, and Brian Hirt discuss Michael Schur's NBC TV show . Is it good? (Yes, or we wouldn't be covering it?) Is it actually a sit-com? Does it effectively teach philosophy? What did having actual philosophers on the staff (after season one) contribute, and was that enough? We talk TV finales, the dramatic impact of the show's convoluted structure, the puzzle of heaven being death, and more. Here are a few articles to get you warmed up: "The Good Place’s Final Twist" by Karthryn VanArendonk "The Good Place Was a Metaphor All Along" by Sophie Gilbert "The Two Philosophers Who Cameoed in the Good Place Finale on What They Made of Its Ending" by Sam Adams "5 Moral Philosophy Concepts Featured on The Good Place" by Ellen Gutoskey If you like the show, you should also check out The Official Good Place Podca